When you specify an outdoor digital signage display, the first number everyone argues about is brightness. Catalogues list 700 nits, 2,500 nits, 4,000 nits. A higher figure is not automatically better, but an indoor panel taken outside will look close to black at midday. This guide gives working figures by location, and explains why the brightness number on its own does not decide what people actually see.
Nits, cd/m² and lux: three units, two different things
- Nit = cd/m² (candela per square metre). Two names for the same unit. It measures the light the screen itself emits.
- Lux measures the light falling on a place. It describes the environment, not the display.
Outdoor visibility is the relationship between the two. Direct sunlight is roughly 100,000 lux; an overcast day is still around 10,000; a typical office sits near 500. The same screen is fighting ambient light more than a hundred times stronger outdoors than indoors.
Brightness guide by location
| Location | Brightness | Notes |
|---|---|---|
| Indoor (retail, office, lobby) | 350–500 nits | Standard commercial displays |
| Under a canopy, arcade, semi-outdoor | 1,500–2,500 nits | No direct sun, but strong ambient light |
| Direct sunlight | 4,000 nits and above | Drive-thru lanes, pole signs, transit hubs |
| South- or west-facing, sun all day | 4,000–5,000 nits | The hardest case |
Industry guidance often says "at least 2,500–3,500 nits for direct sun". Treat that as a floor, not a target. At 2,500 nits text stays legible; photographs and video lose their contrast. EKAA's outdoor displays are rated 4,000–5,000 nits to keep that margin.
Why a higher number does not guarantee a clearer screen
This is the point most often missed. What the eye registers is not brightness but the gap between brightness and reflection.
Reflections consume effective contrast
A 4,000-nit panel with 1,000 nits of sky reflected off its glass cannot show black as black. That is why a nominally bright screen can still look washed out and flat.
Air gap versus full optical bonding
In a conventional build there is an air layer between the cover glass and the LCD. Light reflects at every change of refractive index, so ambient light bounces back from two extra surfaces before it ever reaches the panel. Full optical bonding fills that gap with optical resin. Internal reflection drops sharply, and the same brightness produces visibly deeper blacks. All EKAA outdoor advertising displays, in every size, use full optical bonding as standard; it also protects against black-screen failure and image retention.
Glass coating
EKAA uses tempered cover glass with an AR (anti-reflective) coating and an AF (anti-fingerprint) coating. Outdoors, rain streaks and fingerprints make reflections worse, so a surface that stays clean is part of staying readable. Anti-glare (AG) etching is sometimes proposed instead: it scatters reflections, but it lowers brightness and sharpness, which is the wrong trade for a high-brightness outdoor display.
After dark, the problem flips
Leave a display at 4,000 nits after sunset and it becomes hard to read and a nuisance to neighbours. A few hundred nits is plenty at night. The practical answer is an ambient light sensor with automatic dimming: full brightness at noon, a fraction of it at midnight, with no one adjusting anything. For an outdoor installation, the dimming range matters almost as much as the peak figure.
Many cities also regulate night-time luminance for illuminated signs. Check the local ordinance before you choose a model.
Three common mistakes
- Using an indoor panel under a canopy because "it is out of the sun". Reflected light alone will wash out a 350-nit screen.
- Reading a panel-only brightness figure. Cover glass always costs brightness. Ask whether the number is measured through the glass on the finished unit.
- Leaving daytime brightness on at night. Glare complaints after launch are more common than complaints about a dim screen.
Beyond brightness: what else to check
- Ingress protection: IP67 is the benchmark for a sealed outdoor enclosure. EKAA outdoor models are IP67 rated.
- Fanless construction: no vents means no dust, insects or moisture entering the enclosure, and no moving parts to fail.
- Impact resistance: where the public can touch the display, look for IK10 impact test compliance.
- Serviceability: a modular design that lets individual modules be swapped shortens recovery time after installation.
Summary: how to choose
- Confirm whether the location gets direct sun (if yes, 4,000 nits or more).
- Confirm the figure is a through-glass measurement on the finished unit.
- Confirm reflection control: full optical bonding and AR coating.
- Confirm automatic dimming and the local night-time rules.
Frequently asked questions
Are nits and candela per square metre different?
No. 1 nit = 1 cd/m². Spec sheets use both; the figures compare directly.
Do I really need 4,000 nits in direct sun?
For text alone, 2,500 nits can work. For photographs, video, or a west-facing site that gets sun for hours, 4,000 nits or more is the safe choice. Brightness cannot be added later.
What about glare at night?
An ambient light sensor handles it. The higher the daytime peak, the wider the dimming range, so a bright display can also be a comfortable one after dark.
Talk to us
Send us a photo of the site and the screen size you have in mind, and we will recommend a brightness and configuration. See the outdoor digital signage range, or the outdoor drive-thru menu boards for QSR projects.
Contact: enquiry@ekaa.net

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